Genesis (band)

This article is about the English band. For the Colombian band, see Génesis (band). For other uses, see Genesis (disambiguation).

Genesis
Genesis performing in 2007 Left to right: Daryl Stuermer, Mike Rutherford, Tony Banks, Phil Collins
Background information
Origin	Godalming, Surrey, England
Genres	Progressive rock art rock pop rock progressive pop soft rock
Years active	1967–2000 2006–2007 2020–present
Labels	Charisma Virgin EMI Decca Virgin EMI UMG London Atlantic Atco Vertigo
Associated acts	Garden Wall Anon Mike and the Mechanics Stiltskin Brand X Bankstatement Strictly Inc
Website	genesis-music.com
Members	Tony Banks Mike Rutherford Phil Collins
Past members	Peter Gabriel Anthony Phillips Chris Stewart John Silver John Mayhew Mick Barnard Steve Hackett Ray Wilson

Genesis are an English rock band formed at Charterhouse School, Godalming, Surrey, in 1967. The band's most commercially successful line-up consists of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. The 1970s line-up featuring singer Peter Gabriel and guitarist Steve Hackett was among the pioneers of progressive rock.

The group were formed by five Charterhouse pupils, including Banks, Rutherford, Gabriel, and Anthony Phillips, and named by former Charterhouse pupil Jonathan King, who arranged for them to record several singles and their debut album From Genesis to Revelation in 1968. After splitting from King, the band began touring, signed with Charisma Records and became a progressive rock band on Trespass (1970). Following Phillips' departure, Genesis recruited Collins and Hackett and recorded Nursery Cryme (1971). Their live shows began to feature Gabriel's theatrical costumes and performances. Foxtrot (1972) was their first hit in the UK and Selling England by the Pound (1973) reached number three there, featuring their first UK hit "I Know What I Like (In Your Wardrobe)". The concept album The Lamb Lies Down on Broadway (1974) was promoted with a transatlantic tour and an elaborate stage show, before Gabriel left the group.

Collins took over as lead singer, and the group released A Trick of the Tail and Wind & Wuthering (both 1976) with continued success. Hackett left Genesis in 1977, reducing the band to Banks, Rutherford, and Collins. Their ninth studio album, ...And Then There Were Three... (1978), contained the band's first major hit "Follow You Follow Me". Their next five albums – Duke (1980), Abacab (1981), Genesis (1983), Invisible Touch (1986) and We Can't Dance (1991) – were also successful. Collins left Genesis in 1996, and Banks and Rutherford replaced him with Ray Wilson, who appeared on their final album Calling All Stations (1997). The commercial failure of the album led to a group hiatus. Banks, Rutherford and Collins reunited for the Turn It On Again Tour in 2007, and again in 2021 for The Last Domino? Tour.

With between 100 million and 150 million albums sold worldwide, Genesis are one of the world's best-selling music artists. Their discography includes 15 studio and six live albums. They have won numerous awards (including a Grammy Award for Best Concept Music Video with "Land of Confusion") and have inspired a number of tribute bands recreating Genesis shows from various stages of the band's career. In 2010, Genesis were inducted into the Rock and Roll Hall of Fame.

Biblical references

Name of the band

The names of the band "Genesis" is a reference to the biblical Book of Genesis. Even though there isn't really a strong connection between the name of the band and the contents or message of the biblical book, the purpose of choosing this name comes most likely from the fact that the Progressive Rock genre often mixes themes from classical Greco-Roman literature or from Ancient literature such as the Bible into the songpieces, which tend to be written with more of a poetic purpose in mind rather than being oriented towards dancing. The creative and poetic aspect of progressive rock distinguishes this genre from that of pop music, with lyrics that tend to be more poetic, technology being harnessed for new sounds, in an attempt to create a work of art. Progressive rock attempts to bridge the gap between high culture and low culture, and the usage of biblical themes and imagery by the band Genesis is consistent with this approach.

From Genesis to Revelation

From Genesis to Revelation is the debut studio album by English rock band Genesis, released on 7 March 1969 on Decca Records. The album originated from a collection of demos recorded in 1967 while the members of Genesis were pupils of Charterhouse in Godalming, Surrey. It caught the attention of Jonathan King who named the group, organised deals with his publishing company and Decca, and studio time at Regent Sound Studios to record a series of singles and a full album. A string section arranged and conducted by Arthur Greenslade was added later on some songs. By the time Genesis had finished recording, John Silver had replaced original drummer Chris Stewart.

The name of the album is a reference to the first and last books of the Bible, the books of Genesis and Revelation respectively.

Track listing

All songs written by Tony Banks, Peter Gabriel, Anthony Phillips, and Mike Rutherford.

Side one

No.	Title	Length
1.	"Where the Sour Turns to Sweet"	3:14
2.	"In the Beginning"	3:42
3.	"Fireside Song"	4:16
4.	"The Serpent"	4:36
5.	"Am I Very Wrong?"	3:28
6.	"In the Wilderness"	3:21

Side two

No.	Title	Length
7.	"The Conqueror"	3:44
8.	"In Hiding"	2:56
9.	"One Day"	3:16
10.	"Window"	3:53
11.	"In Limbo"	3:06
12.	"Silent Sun"	2:08
13.	"A Place to Call My Own"	1:57

Track 2 "In the beginning" is a reference to the first words of the Book of Genesis.

Track 4 "The Serpent" is a reference to the devil's appearance to Eve in the garden of Eden under the form of a serpent, to lure her into tasting of the forbidden fruit in defiance to God's instructions.

Supper's Ready

A recorded version appeared on their 1972 album Foxtrot, and the band performed the song regularly on stage for several years following this. Live versions appear on the albums Live at the Rainbow recorded in 1973, Seconds Out recorded in 1977, the compilation Genesis Archive 1967–75, and the box set Genesis Live 1973–2007. A reworked version also appears on Steve Hackett's 2012 album Genesis Revisited II and its accompanying live albums Genesis Revisited: Live at Hammersmith and Genesis Revisited: Live at Royal Albert Hall.

In an interview, Peter Gabriel summed up "Supper's Ready" as "a personal journey which ends up walking through scenes from Revelation in the Bible... I'll leave it at that". He was also quoted in the book I Know What I Like by Armando Gallo as saying that the song was influenced by an experience his wife had of sleeping in a purple room, and the nightmares it gave her. AllMusic has described the song as the band's "undisputed masterpiece".

The "Supper" referred to can call to mind the Last Supper of Jesus with his disciples.

Sections

I: "Lover's Leap" (0:00 – 3:47)

This section features a gentle arpeggiated guitar backing (with Hackett, Banks and Rutherford all playing 12-string guitars), soft electric piano (Hohner pianet), bass pedals, cello and flute, and a section with folky three part vocal harmonies sung by Gabriel and Collins (which omit the third note of the chord). The only percussion used and played by Collins is triangle, cymbals, and bells.

Lyrically it tells of a man returning home after a long time to be greeted by his lover, and mentions supernatural imagery ("six saintly shrouded men"), which Gabriel claims relate to a genuine spiritual experience which occurred with himself, his wife Jill and producer John Anthony. According to Gabriel, during a late-night conversation, his wife began speaking with a completely different voice. Gabriel held up a makeshift cross out of a candlestick and another household item, and Jill reacted violently; (in Armando Gallo's book, I Know What I Like, Gabriel mentions that his wife had reacted badly to sleeping in a room with purple walls, purple being 'very high in the colour spectrum'). Jill was eventually calmed down and taken to bed, but neither Peter nor John Anthony slept that night. On another occasion, also late at night, Gabriel looked out of the window of his wife's parents' house to see what he perceived to be an entirely different lawn, across which seven shrouded men were walking. Gabriel recounted that these experiences led him to contemplate notions of good, evil, and the supernatural, and eventually inspired the lyrics to "Supper's Ready".

II: "The Guaranteed Eternal Sanctuary Man" (3:48 – 5:43)

Banks composed the chord progression whilst still at University. When performing the song live, Gabriel would don a "crown of thorns" headpiece at this point. The piece segues into the next with a "Lover's Leap" reprise.

The programme describes this section as follows: "The lovers come across a town dominated by two characters; one a benevolent farmer and the other the head of a highly disciplined scientific religion. The latter likes to be known as 'The Guaranteed Eternal Sanctuary Man' and claims to contain a secret new ingredient capable of fighting fire. This is a falsehood, an untruth, a whopper, and a taradiddle, or to put it in clearer terms; a lie."

III: "Ikhnaton and Itsacon and Their Band of Merry Men" (5:44 – 9:42)

This section is much more dynamic than the previous two, with lively drumming from Collins, an elegiac electric guitar solo played by Hackett, and a lot of interplay between Hackett's guitar and Banks’ organ (including a section with fast organ and guitar arpeggios, Hackett employing the "tapping" style of playing). The lyrics refer to a battle of some sort, presumably involving Ikhnaton.

The programme spells "Itsacon" as "Its-a-con". It describes this section as follows: "Who the lovers see clad in greys and purples, awaiting to be summoned out of the ground. At the G.E.S.M's command, they put forth from the bowels of the earth, to attack all those without an up-to-date 'Eternal Life Licence', which were obtainable at the head office of the G.E.S.M.'s religion."

IV: "How Dare I Be So Beautiful?" (9:43 – 11:04)

This is a slow and gentle section, the only instrumentation being treated acoustic piano chords, each chord being faded-in on the recording, thus losing the piano's characteristic attack and sounding more like an organ (it was done on Hammond organ live). The title is a catchphrase used by the band's early music-business contact, Jonathan King. The lyrics deal with the aftermath of the preceding battle, and referring to the Greek myth of Narcissus, who turned into a flower.

The programme describes this section as follows: "In which our intrepid heroes investigate the aftermath of the battle and discover a solitary figure, obsessed by his own image. They witness an unusual transmutation, and are pulled into their own reflections in the water."

The Lamb lies down on Broadway

The Lamb Lies Down on Broadway
Studio album by Genesis
Released	18 November 1974
Recorded	August–October 1974
Studio	Glaspant Manor, Carmarthenshire, Wales
Genre	Progressive rock art rock
Length	94:15
Label	Charisma, Atco
Producer	John Burns Genesis
Genesis chronology
Selling England by the Pound (1973) The Lamb Lies Down on Broadway (1974) A Trick of the Tail (1976)
Singles from The Lamb Lies Down on Broadway
"Counting Out Time" Released: 1 November 1974 "The Carpet Crawlers" Released: April 1975

The Lamb Lies Down on Broadway is the sixth studio album by the English progressive rock band Genesis. It was released as a double album on 18 November 1974 by Charisma Records and is their last to feature original frontman Peter Gabriel. It peaked at No. 10 on the UK Albums Chart and No. 41 on the Billboard 200 in the US.

While the band worked on new material at Hedley Grange for three months, they decided to produce a concept album with a story devised by Gabriel about Rael, a Puerto Rican youth from New York City who is suddenly taken on a journey of self-discovery and encounters bizarre incidents and characters along the way. The album was marked by increased tensions within the band as Gabriel, who insisted on writing all of the lyrics, temporarily left to work with filmmaker William Friedkin and needed time to be with his family. Most of the songs were developed by the rest of the band through jam sessions and were put down at Glaspant Manor in Wales using a mobile studio.

The album received a mixed critical reaction at first, but it gained acclaim in subsequent years and has a cult following. The songs "Counting Out Time" and "The Carpet Crawlers" were released as singles in the UK in 1974 and 1975, respectively; both failed to chart. A single of "The Lamb Lies Down on Broadway" was released in the US. Genesis promoted the album with their 1974–75 tour across North America and Europe, playing the album in its entirety. The album reached Gold certification in the UK and the US. The album was remastered in 1994 and 2007, the latter as part of the Genesis 1970–1975 box set which contains a 5.1 surround sound mix and bonus material.