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Pyotr Ilyich Tchaikovsky: Difference between revisions

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Tchaikovsky expresses his religious perspective in a letter to Nadezhda von Meck on 23 November/5 December 1877:
Tchaikovsky expresses his religious perspective in a letter to Nadezhda von Meck on 23 November/5 December 1877:


{{Quote box
{{Quote|text=However, conviction is one thing, and instinct and feeling another. Whilst I deny an eternal afterlife, it is with indignation that I reject at the same time the monstrous thought that I shall never see again some loved ones who are now dead. In spite of the triumphant force of my convictions, I shall never reconcile myself to the thought that my mother, whom I so loved and who was such a wonderful person, has disappeared forever and that I will never be able to tell her that even after twenty-three years of separation I still love her the same|author=Pyotr Tchaikovsky|source=http://www.tchaikovsky-research.net/en/people/index.html}}
| quote = However, conviction is one thing, and instinct and feeling another. Whilst I deny an eternal afterlife, it is with indignation that I reject at the same time the monstrous thought that I shall never see again some loved ones who are now dead. In spite of the triumphant force of my convictions, I shall never reconcile myself to the thought that my mother, whom I so loved and who was such a wonderful person, has disappeared forever and that I will never be able to tell her that even after twenty-three years of separation I still love her the same
| source = http://www.tchaikovsky-research.net/en/forum/forum0300.html
| author = Pyotr Tchaikovsky
}}


A letter to Mrs von Meck on 16/28 February–17 February/1 March 1879, in which he tells her of his impressions of reading the scene in The Brothers Karamazov where Father Zosima has to comfort a woman who has lost all her children, shows that this was a question which Tchaikovsky often thought about:
A letter to Mrs von Meck on 16/28 February–17 February/1 March 1879, in which he tells her of his impressions of reading the scene in The Brothers Karamazov where Father Zosima has to comfort a woman who has lost all her children, shows that this was a question which Tchaikovsky often thought about: